animation style the simpsons season 30 episode 7 werking mom

Andrew Christie – Photo by Jack WebbĪD: What is your process like for developing music for a project like The Simpsons? They were amazing, very inclusive having us involved, and I think genuinely excited to have some new energy brought to the music. It’s incredible to see and a privilege for us to come into such an important program and watching these seasoned veterans of the show and their process.

That team had been working together for so long. RE: It’s a big responsibility to be coming in. We have been very conscious and detail-oriented throughout the entire scoring process. We came in the start of Season 29, with “The Serfsons” Game of Thrones episode.ĪD: Were you intimidated composing music for The Simpsons, which has some of the most notable TV music of all time?Īndrew Christie: I don’t know if intimidated is the right word, but we are big fans of Alf and what he did for The Simpsons, so we’re very conscious of carrying on his legacy but also doing it the Bleeding Fingers way. This is our second season, and it’s been quite the ride. Russell Emanuel: We’re just coming to the end of our second year doing this. We talked about what it’s like coming into a show that’s been on for three decades, the quick turnaround between episodes and music, and whether Bleeding Fingers is an homage to a beloved Simpsons character.Īwards Daily: How long have you guys been doing music for The Simpsons? I know that Bleeding Fingers Music was founded in 2013. I had the chance to chat with the Bleeding Fingers Music team behind the score on the FOX animated comedy, including lead composer Andrew Christie and co-score producer Russell Emanuel. Megan McLachlan talks to Bleeding Fingers Music about why you have to be a musical chameleon to score the soundtrack for Fox’s The Simpsons.Ĭan you imagine The Simpsons without music? It’s like imagining the 30-year-old TV series without Homer.

Animation style the simpsons season 30 episode 7 werking mom